“This is the apartment of Allard Pierson, an abstract artist who doesn’t exhibit his sculptures because nobody’s interested in abstract art anymore, so he lives at home with them and occasionally invites people to dinner, to show them his new work,” Morrison said. The presentation features a living room split up into a studio and office.
Archive for the ‘installation & exhibition’ category
Drawing inspiration from the moon and sun – each is represented by a disc suspended at either end of the voluminous hall – both serve as focal points. The moon’s reflection in water at night is captured by zigzagging, 50-metre wall that augments in height from one meter in the front to six meters at the far end, where the setting morphs into an abstract ode to the region’s famous Northern Light.
Visitors could come into this space alone through a narrow entrance, walk slowly and circle the space with the playing of background music which has a sense of ritual. While looking through the gaps between the bamboos, semi-finished Chinese Southern lion and Chinese leather drum placed in the centre could be seen; it is like a journey from outside to inside of both your inner self and the environment.
Ordered chronologically from the 1920s to the present day, the event showcases over 50 projects by some of the most famous Italian and International designers and architects – from Ettore Sottsass, Achille Castiglioni and Aldo Rossi to Philippe Starck, Zaha Hadid, Patricia Urquiola, Ronan and Erwan Bouroullec – which never made it onto the production line.
We developed this byobu system to provide all the required elements for the exhibition; including partitions, information panels, showcases and integrated lighting. We called this foldable product Pleat Luster and it became a product of the exhibition with the theme of tradition and high technology. This folding idea is applied to both the white screens and the black showcases.
Carwan Gallery has teamed up with Atibaia, a vineyard and winemaker from the northerly district of Batroun, and commissioned Beirut-based Studio 200 grs. to reinvent its latest vintage. The result is the artifacts by 200 grs. exhibition of a seemingly endless collection of wooden sculptures that explores the functionality of the wine bottle.
100 shades of colors in the form of flower motifs saturate the 6 meter atrium. At the center, visitors can be immersed amongst the 25,200 delicate flowers aligned in three dimensional grids. As well as being suspended from the ceiling, the flowers subtly rotate because of the NSK bearings and the windmills installed at the top and in turn, the installation produces a gradient of gradually changing color.