Archive for the ‘exhibit design’ category

Q viewing platform display by Unibox & Avvio Reply

June 2nd, 2016

The Lightbox itself was customised to include a bespoke lighting sequence, specially designed to mimic the glowing of the ‘Q’ on the new set top box, as well as incorporating illuminated product shelving, utilising laser-etched panels and custom branded panels.

Armadillo Vault by ETH Zurich’s Block Research Group, Venice – Italy

June 2nd, 2016

The curving canopy features structural spans of up to 16 metres, but is supported entirely through compression rather than with the use of adhesives or fixings.

Losing Myself exhibition by Níall Mclaughlin and Yeoryia Manolopoulou, Venice – Italy

June 1st, 2016

Using a time-based projection, the machine ‘redraws’ the experience of this plan as collectively witnessed by sixteen people occupying the building over the course of one day.

Human-Meditation-Nature installation by Vo Trong Nghia Architects at Venice Architecture Biennale, Venice – Italy

June 1st, 2016

Known for his green-filled architecture, the installation inside the central pavilion visualizes as a small forest of bamboo and plants. Visitors are invited to walk through the structure and in turn, show that architecture is not just about function and beauty, but an approach to connect people with nature.

Peak District Escape POD by Unibox, Birmingham – UK

May 31st, 2016

Unibox’s Tension Fabric System allowed the design team to seamlessly wrap graphics around corners, making it the perfect system for the creation of a pod. The final design however, required much more than a 3D Tension Fabric Display for the exterior of the Escape Pod.

Centre Pompidou Málaga by Javier Pérez De La Fuente, Juan Antonio Marín Malavé, Puerto de Málaga – Spain

May 30th, 2016

The internal layout of the centre, is conceived as a fluid space, where in a continuous sequence, the visitor takes a journey bringing them closer to the contents on display, preparing them emotionally for the move from the noisy “outside world” into a space that allows “an inner experience” which if where we want the visit to be focused.

Zaha Hadid exhibition at Venice Architecture Biennale 2016, Venice – Italy

May 30th, 2016

The showcase presents many of the seminal paintings, drawings and models of Hadid’s repertoire, conveying the ingenuity and dynamism of her architectural projects in a variety of media including photography and film.

Kinetic Garden by Piuarch at Milan Design Week 2016, Milan – Italy

May 29th, 2016

The chromatic effect is amplified by the use of triangular axis placed along the lines of color to increase the perceived depth. The installation creates an active relationship between space and guests: the static image becomes dynamic.

Introductory Room at Venice Architecture Biennale 2016, Venice- Italy

May 27th, 2016

Built with the one-hundred tons of waste material generated by the dismantling of the previous Biennale, the ‘Introductory Room’ features an installation that showcases 14 kilometers of metal studs suspended from the ceiling.

British Pavilion at Venice Architecture Biennale 2016, Venice – Italy

May 27th, 2016

They claim that collective ownership models – where people share the financial burdens of domestic life – is one solution, and could result in homes that are more affordable and more efficient.

Hakfolly installation by Flea Folly Architects & Hakwood, London – UK

May 26th, 2016

The installation creates a wooden tunnel within the arch of St John’s Gate – a former priory entrance and one of the last architectural remnants of Clerkenwell’s monastic history.

Undreamed Territories art installation by Carlos Coronas, Avilés – Spain

May 25th, 2016

The works, built primarily of wood – respond to each other using electronic impulses. The gradual rise and fall of the light within the space mimics the feeling of breathing, which makes the individual pieces appear as living organisms.

Robotically woven carbon-fibre pavilion by University of Stuttgart, London – UK

May 20th, 2016

A robotically woven carbon-fibre pavilion developed by a team from the University of Stuttgart has been erected in the courtyard of London’s V&A museum as part of a season of engineering events.

Cehegín Wine School by INMAT Arquitectura, Cehegín – Spain

May 20th, 2016

Conceptually, raw steel and wood are very elemental materials that work well with the historic parts of the interior, respecting the handmade character and the patina of the time.

Our Colour Reflection installation by Liz West, Scunthorpe – UK

May 18th, 2016

Our Colour Reflection creates a conversation between the viewer and the setting using more than 700 mirrors made of coloured acrylic.

Vorne Fair Stand Fensterbau Frontale 2016 by YERce Architecture, Nurnberg – Germany

May 16th, 2016

When choosing materials, it is preferred to have neutral and non-textured vertical surfaces to the front of which the products were placed and textured and live inclined surfaces on the top elevation to provide a balance by adding warmth to the subject.

Miyahata Jōmon Museum by Furuichi and Associates, Fukushima – Japan

May 16th, 2016

On the first-floor mezzanine, a raised walkway offers a view down to the ruins, and also leads out to a balcony offering expansive views of the surrounding rural landscape.

Marmo_2.0 exhibition by Raffaello Galiotto, Milan – Italy

May 13th, 2016

The cutting edge use of technology – which can be considered a kind of digital scalpel – opens up new doors and marks a turning point compared to thousands of years of marble working tradition.

Balenciaga, Master Of Lace exhibition by Hiruki studio, Getaria – Spain

May 11th, 2016

Hiruki studio has developed a museography and illustration project that aims to encourage the viewer to observe the filigree work of the lace and feel the textures, playing with it throughout the space, combining opacity and transparency, as the master of lace did in his creations.

WURF II installation by BORGMAN | LENK, Grimma – Germany

May 11th, 2016

The large stone imitation is hanging on a 13 m long steel cable from the roof truss of the 580 year old Monastery Church of Grimma near Leipzig.