Inspired by the new house style of AEG and the brand values, A&B Project designed the new concept of the stand. Key feature of the design is the use of black materials, brought into balance with wood and the use of large images. A modern look is created by using concrete floor boards.
Archive for the ‘exhibit design’ category
Hans Boodt mannequins focuses on current trends. Not only in fashion and architecture, but also interior design, movies and the media. They invite you into a world where soft and rich materials such as velvet and brass give a surprising twist to the contrasting hard and cold textures like glass and marble.
Tara Donovan’s newest wall sculptures at Pace Gallery are composed of thousands of white styrene cards that are individually stacked, glued, and rotated 90 degrees. Each of the 30 works in the gallery feels absolutely impossible – the mathematics, the labor, and the result. A closer look reveals the inhuman complexity and precision of overlap.
Within NOW Gallery on London’s Greenwich peninsula, British artist Rebecca Louise Law has suspended 10,000 Fresh irises with copper wire, making them appear to float within the gallery space. “The Iris” continues Law’s ongoing investigation of Floral Forms and their gradual evolution through the stages of beauty and decay.
Usually closed to the public, the Consulate’s terrace was opened during the event, so visitors could enjoy the incredible view of the Guanabara Bay and the Sugar Loaf. Access to the terrace was done through an installation where the walls were covered with the Brazilian-Portuguese words and expressions with Italian origin.
Without using any of the brand’s garments, Snarkitecture still managed to capture COS’ unique simplicity through the use of white strips of fabric in varying lengths to create an undulating, cavernous installation. COS is also selling a limited edition collection of Snarkitecture-designed goods to coincide with the exhibition, called COS x Snarkitecture Objects.
Penda was asked by Residential and Cultural Developer Hongkun to design a meeting space that hosts lectures, readings, small exhibitions and an area for trading artworks. Within this cultural district, there was a desire to connect the public to artists as well to create a direct link to art itself. Visitors enter the Art Space through a monolithic facade that connects its appearance to the neighbouring Museum.
Visitors to MAKK will get an inside look at key moments in Diez’s development processes of furniture, luminaires and accessories. Spanning 15 years, the exhibit showcases international award-winning projects as well as ongoing projects like the Guise luminaire for Vibia and the D1 and D2 chairs for Wagner.