We converted this old house´s narrow access, with a low ceiling height, into a gallery inspired by a kaleidoscope, where a set of mirrors reflects the walls and ceiling. In the end of this path there is a more literal version of a kaleidoscope, where a highlighted production may be seen through a small hole on the wall.
To highlight the naturalness of «Vysoko-vysoko», the agency created a bright and emotional brand associating with childhood. «We show that the world in childhood is enormous, bright and fairy. And everything in it is simple and true.
This package series contains a blue milk carton, a brown chocolate milk carton, and a yellow juice carton. The juice carton is taller and thinner in order to differentiate it from the look of an old metal milk container. The minimalist design of the front of the packages will distinguish them on shelves from other current designs.
Despite the consistent use of color and geometry in the interiors of Kronverk Cinema, each zone is characterized with a distinct and clearly codified aesthetics. The entrance to the cinema, modern and geometric, leads to the lobby area – a very characteristic tunnel, divided into spatial zones with seat modules.
The different colours of grey combined with warm wooden tones and copper green give the store a fresh, tailored look. Hand-crafted tiles, copper fittings, custom-made furniture in wood and steel, a concrete “oor and vintage elements / furniture give Bilder & De Clercq a light, industrial feel whilst keeping that traditional sense of visiting a quality grocer.
Brēzel brand identity & packaging by Jeremy Slagle
The design intent was to explore ideas concerning the generation of an aesthetic, as a driving architectural principle, informed by two main factors: the creation of a relevant brand identity for the client + testing past notions of symmetry and proportion, into which mathematical non-linear geometries (co-planar and non) are consciously/overtly subverted.
Material space tried to show a change in the texture of the white-collar elsewhere in C using the marble tiles to the height of the table. All walls, but a simple form, is represented as not only oak texture.
Interior styling was inspired by the shapes in the two gentle logo elephants, with the store featuring soft inviting curves, feature ceiling rafts, and a set of unique illustrated animals that we created, to act as navigation.
Continuing the application of Lucky Brand’s updated brand identity, I redesigned a seasonal series of reference materials for our Retail and Outlet store associates. Both pieces serve as a quick reference guide to Lucky Brand’s current denim product, including information on fits, washes and suggestions for which fits are best for certain body types.
BMD’s design, evocative of the experience of listening to music, helps reposition Sonos as an emotional brand connected to music and the people who love it.
Aperam as a global player, a global brand in the business of stainless steel was presenting itself at Tube 2012, the world’s leading fair for wires, cables and tubes. Core values like leadership, ingenuity and agility were part of the briefing. Totems designed a booth bringing the strong brand identity and the graphic house style into a spatial context.
CWA worked with the client to brainstorm a vision for the restaurant and proposed a total design concept which embraced all visual elements. This included proposing the name ‘Paperfish’ to underscore the restaurant’s function and to align with the concept of treating the plain white architecture as thin leaves of curving drywall to evoke fluidity, water flowing and pooling, and to give the sense of being immersed below the sea.
Kathmandu briefed us to “refresh the brand, align it across the business, reflect the design philosophy and capture the spirit of ‘inspiring adventure’”.
Quarterly Co. is a subscription service that allows subscribers to receive themed shipments in the mail from influential contributors of their choice every three months.
Saks Fifth Avenue attempts to diagram this complex decision-making process in a series of humorous flowcharts.
A focus on local suppliers and their stories evokes the world of the farm, while custom stencil typography, natural materials and hand-applied graphics convey a spontaneous energy and artisanal spirit.
In keeping with the brand identity of the company, the ‘vintage modern’ styling of the space comes out in the use of materials like cement, exposed steel, reclaimed wood and exposed brick.
Guy Degrenne store by Brio, Toulouse
This project is the mix of three projects under one roof which includes a western range of clothing for adult, Kids and than ethnic clothing for Women and Men…. the two eastern and western sections have been separated with a split level and the use of different materials.
