Being a historic, listed building, much of the interior had to be retained, and the Yoshioka’s challenge was to find a way to fuse the structure’s original elements with the modern retail design aesthetic of Issey Miyake, and if you ask us, the result is quite brilliant. The walls have been stuccoed to perfection, and dipped in a timeless off-white hue, offering a beautiful contrast with the original vaulted ceilings and the newly-laid stone floors.
Posts Tagged ‘italy’
The space concept is in between traditional Japanese sake storage “Kura” and Italian wine storage “Enoteca”. With this mix, we created a façade with the traditional Kura element, which is a grid made by half cylinder. The interior is divided in three areas: Mini-shop, sake-cocktail bar and restaurant.
Without using any of the brand’s garments, Snarkitecture still managed to capture COS’ unique simplicity through the use of white strips of fabric in varying lengths to create an undulating, cavernous installation. COS is also selling a limited edition collection of Snarkitecture-designed goods to coincide with the exhibition, called COS x Snarkitecture Objects.
The concept for the entrance installation has been designed as a timeless flexible tool for giving the different frequently collections attractive stages throughout the year. Before ZARA selected the beautiful 4.000 sqm space from the thirties and converted it into the ZARA Flagship store in Milan, the building hosted a theatre and later the “Astra” Cinema for many years.
DEGW’s interior design followed Microsoft’s global guidelines in a project aimed at focusing on the very best of Italian manufacturing and design. The building has six floors above ground. The ground and first floors accommodate the Customer Area open to the public, showcasing the company’s products and connected by a custom-designed central stairway.
Customers are treated as guests in Simon’s house, where everything is designed to make them feel good: the music, low lights, mirrors and colored velvet furnishing. The experience is enchanting and immersive: cocktails are unusual and can be chosen from menus collected by the host during his trips around the world or improvised by the inspiration of the moment.
Marsèll Paradise Milano, as it’s officially called, is spread over two floors, and features a clean and contemporary interior that befits the hangar-like structure it occupies. There’s a coherence and balance in the choice of materials and colours, and the choice of structly functional furnishings adds to the orderly and restrained aesthetic.
With this theme the design phase started which brought the arch. Devid Tabani to insert a natural flooring in cement paste to give a continuity to tie environments, targeted choices minimal exposure of the dress in the entrance gallery, creating a sharp contrast element of the past with the new furniture and the garden.
Ordered chronologically from the 1920s to the present day, the event showcases over 50 projects by some of the most famous Italian and International designers and architects – from Ettore Sottsass, Achille Castiglioni and Aldo Rossi to Philippe Starck, Zaha Hadid, Patricia Urquiola, Ronan and Erwan Bouroullec – which never made it onto the production line.
On two levels with a total floor area of over 200 square meters, the new “Spazio CEDIT” maintains the same stylistic identity as the Fiorano Modenese showroom, both constructed to an architectural design by Turin firm BRH+. The ground floor is intended to house specific installations which will succeed each other over time, exhibiting the various contents of CEDIT’s experimental design work in unusual ways.