Posts Tagged ‘typography’

Starbird Chicken identity by Strohl, Sunnyvale – California

September 5th, 2016

Accompanying typography is clean and direct, matching the optical weight of the mark, while still having character to be distinct on its own.

Little Blue Pot branding by Coba&Associates

May 25th, 2016

Watercolor illustrations, san serif fonts, simple typography, stylish and reduced style managed to create an elegant impression that encompasses both the look and feel.

Salsa Fiesta restaurant by Greg Gayle & Casa Conde, Miami – Florida

April 23rd, 2016

The design concept is simply to bring the urban street atmosphere indoor in the fast-casual style food environment. The interior artwork utilizes a mixture of vintage Mexican posters and modern typography to evoke the best of both worlds.

SuiteAmerica rebranding by Omnibus Design

March 4th, 2016

Starting with the basics of the logo form, typography, palette and brand voice, Kaiser and team dug deep into the company’s heritage and culture to develop an identity that both represented its upscale service model and modern approach to business.

Super Jay Saison packaging by Pope Wainwright & Wykes

February 28th, 2016

The packaging design is linked to the French origin of the beer, using typography in an avant-garde style that communicates precision and symmetry, perfectly fitting to the sharp taste of the beer.

Aptekarsky Ogorod visual identity by Olsh & brothers

February 2nd, 2016

The project concept basis on an image of the Victorian drugstores and labels of medicines. Connected to the typographics and a botanical illustrations they create the unique image of a Garden emphasizing a rich heritage and also identifying the Garden among others.

Antagonic Gin Branding by Studio A – Interbrand

January 12th, 2016



Cartavio Rum Company commissioned us the challenge of creating a new brand of premium Gin for the peruvian market.

CALENDAR DESIGN! Typodarium 2016

January 9th, 2016



The popular tear-off Typodarium calendar is now available for the coming year. Editors Lars Harmsen and Raban Ruddigkeit have printed a different font for you to enjoy every day. The front of each tear-off page presents the font and its back describes the typeface in greater detail.

Super Jay American Pale Ale Branding by Pope Wainwright & Wykes

November 19th, 2015



Craft beer where the branding comes first and the flavour comes second

ASIAN BISTROS! Yumi Yumi by Taller David Dana Arquitectura, México D.F. – Mexico

November 5th, 2015



TDDA collaborated with Diego Leyva, Creative Director of Nhomada to develop the graphic design, we worked through a multidisciplinary process in order to integrate the industrial design and typography with the architecture. The result transforms the standard sushi bar, and integrates a new concept of rice bowl.

Tramantes Branding by Bienal Comunicación

October 28th, 2015



Tramantes is an innovative platform dedicated to the textile art production, dissemination , experimentation and teaching of this craft.

The Good Fish Restaurant Branding by Swear Words

April 21st, 2015

The Good Fish Restaurant Branding by Swear Words

Day Comes, Night Falls Branding by Studio Mast

April 13th, 2015

Day Comes, Night Falls Branding by Mast

Bread & Butter Berlin 2014 Summer – Goodyear

September 30th, 2014

The Goodyear Tire & Rubber Company was founded in 1898 when 38-year-old Frank Seiberling bought an abandoned strawboard factory on the banks of the Little Cuyahoga River in Akron, Ohio. The Goodyear Tire & Rubber Company was named in honour of Charles Goodyear, who discovered the rubber vulcanization process in 1839.

JP Graziano branding & packaging by Jen Serafini and Jack Muldowney

August 5th, 2014

JP Graziano is one of the oldest and most recognized sandwich shops and Italian grocers here in the West Loop of Chicago. Jack Muldowney and Jen Serafini came up with a new branding concept to refresh their current visual identity by focusing on their rich history and quality product.

Christmas card typography gold stamp 2014 by Lemongraphic

December 20th, 2013

Christmas card typography gold stamp 2014 by Lemongraphic

Twenty-four concept stores by Dalziel and Pow

November 15th, 2013

The concept centres on two bold feature boxes, which have landed in the store. The large, freestanding architectural boxes communicate the brand colour on the outside and have a contrasting internal lining, which either responds to trends to create a fashion space, or becomes softer to the rear to form a more discreet lingerie area.

Reykjavik Lights Hotel by Tark and HAF, Reykjavik – Iceland

November 13th, 2013

The visual calendar ‘Rímtafla’ is divided by months and distributed onto 12 corridors. Each corridor represents a month of the year and each room is linked to a specific day in the ancient Icelandic calendar. The rooms are decorated with unique color palettes expressing Iceland’s unique color spectrums.

Trapéziste Absinthe packaging by Jessica Destoppeleire

October 25th, 2013

Trapéziste, meaning trapeze artist in French, pulls upon this visual vocabulary by creating a sense of movement and swinging around the bottle. I drew custom lettering for “Trapéziste”, which was inspired by circus typography from the 1850′s. The bottle of absinthe comes in a special gift tube, in all black with subtle circus performer imagery throughout.

Farewell Co. branding by Ben Johnston

July 10th, 2013

The kit incorporates a hand-crafted selection of travelling essentails, that are also available individually. The circle icon with a line through it is based on the old Nomad symbol, meaning ‘Good Road To Travel’.These products are all essentials you would keep on you everyday and/or travel with.