DAY Birger et Mikkelsen is a Danish fashion company with collections for women, men and home interiors.
Posts Tagged ‘typography’
DAY Birger et Mikkelsen branding by BAS
May 15th, 2013Daylong Packaging Redesign by TODA
May 9th, 2013
TODA is proud to announce the relaunch of Daylong—one of Switzerland’s leading brands in sun protection. Our New York office collaborated closely with our partners in Hamburg to guide our Swiss client in redesigning Daylong.
WOODEN STORE INTERIORS! adidas originals shop-in-shop at Footaction, Houston
April 4th, 2013
The shop-in-shop concept is called adidas originals collective by Footaction and features a New York-inspired sophisticated design with subtle lighting, polished timber, metals and leathers, spiced up with custom city colours, street culture-inspired art, typography, interactive digital features and in-store gigs by various artists.
Bach Espresso branding by COATS DESIGN
March 27th, 2013
Coats developed retro typography and icons, colours and patterns, and a weathered woodgrain effect working together to capture those affectionately held memories of the 50/60s Kiwi Bach, supported with a relaxed copy content and style.
DTDigital branding by Designworks
February 1st, 2013
The supporting graphic language is energetic and colourful; geometric patterns which radiate and pulse giving an illusion of movement and energy to capture DT’s constant motion and progression. A core colour palette of bright primary colours and impactful typography move DT confidently forward into the future space they own.
The Sicilian restaurant branding by Bravo Company
January 30th, 2013
The Sicilian is an old-style Italian restaurant located in New South Wales, Australia. As the brand name suggests, the design borrows heavily from the gentlemen’s style of 1940′s gangster films. We imagine this to be a place where mafia bosses patronise. The typography of the logo is inspired by engravings on firearms.
Playtype™ concept store by e-Types, Copenhagen
January 21st, 2013
The interior is, a visible extension of typography and our products, taking its que from the black and white chequered and continues in a monochrome palette featuring oversized fonts on windows and walls.
Neverclear packaging by Toni Hall
December 4th, 2012
The bottle is a diamond shape, and when you turn the bottle back and forth the optical illusion changes as you see it through the glass. These optical illusions will only become more interesting as the party goes on.
SSG Food Market branding by Mucca
November 23rd, 2012
A focus on local suppliers and their stories evokes the world of the farm, while custom stencil typography, natural materials and hand-applied graphics convey a spontaneous energy and artisanal spirit.
Nam-po identity by Twelve Studio
October 31st, 2012
Taking inspiration for the graphic treatments from native handwriting, we simplified this and introduced a modern colour palette and friendly typography to communication the brand values. The resulting look and feel was then rolled out across a wide range of applications, from the interior of the shop, through to packaging, animated menus and a simple website.
Denim Pavilion identity by Pavel Emelyanov
September 15th, 2012
Identity for online jeans store Denim Pavilion. It offers only quality original jeans from USA and Japan. There are presented labels such as Pure Blue Japan, Jean Shop, 3Sixteen, Tellasson, Eternal. The task was to create logotype stylizied to old labels. Identity is also based on typography and careful selection of materials.
BarQue restaurant by K-studio, Athens
June 29th, 2012
The BarQue restaurant in Nea Erythraia, a suburb in the northeastern part of Athens, Greece, was designed around the idea of social interaction. Designed by K-studio, who seems to have been designing every succesful restaurant around Greece lately, a sense of a social event combines with a comfortable interior dining experience.
Concrete business cards by Murmure
May 5th, 2012
Playing with the notion of scales, Murmure created a set of business cards made of concrete. This material, so characteristic of our environment, was enhanced by using the smallest and most refined communication support.
The A Stool by Alexander Swain
April 24th, 2012
The A Stool takes it’s design from a letter A. The A typeface is Replica: designed by Norm in Switzerland. The A-frame gives the furniture strength but also reflects my passion for typography. Made from accredited Birch plywood bonded with a coloured laminate and comes flat pack.
Ajándék Terminal identity by Kiss Miklós
April 1st, 2012
Ajándék Terminál exhibition, fair and auction was one of the Christmas events organized by Design Terminal, where Hungarian designers showcased their work. Between 9th and 18th of December products from 50 talented designers could be bought.
Mangolds brand identity by moodley brand identity
February 16th, 2012
In the course of an extensive renovation in 2011, Mangolds, a well known vegetarian restaurant, entrusted moodley brand identity with their rebranding. For over 20 years Mangolds has been standing for very fresh and contemporary international cooking in Graz.
Sainsbury’s Fresh Kitchen brandind & store design by Twelve Studio, London
February 7th, 2012
A new take-away food concept for Sainsbury’s, with the emphasis on freshly made hot food, sandwiches, salads and hot drinks. Fresh Kitchen on Fleet Street, London is the first of a new format with big ambitions.
Clothing alphabet typography by Stuart Whitton
January 21st, 2012
An entire alphabet created through the manipulation of several clothing items to form all 26 letters.
Typodarium 2012
January 3rd, 2012
The brand new Typodarium is there and can be ordered now! As in recent years, there is also again in 2012 with 366 daily Typo-inspired writings of 252 designers from over 32 countries.
Capsula multibrand store by GöSKE PROJECT, Budapest – Hungary
December 12th, 2011
The aim of the design was to create a highly elegant, spacious and welcoming store, which has been achieved with the colour white, the bright large plain and arched surfaces. The two architects – Sandor Gocsei and Eniko Korompay – have kept the historic building’s indoor columns and the ratio of the space and given a flowing contemporary touch to it.
