This design demystifies the usual commercial exhibition format, inspiring the visitors with the genuine
fakeness of a mise-en-scène. It’s a great theatrical machine where scenic constructions restore a different
visual interpretation of the ceramic material.
The exhibition space is divided in two distinct areas. The first one – characterized by monolithic volumes and
large spatial geometries – is an instagramable context interplaying with the visitors and creating memory.
The other one overpasses the usual classification of interior spaces presenting crossover environments with
a drama feel, such as a room of Lynchian inspiration where the disquieting beauty of an obsessive black and
white marble floor is embraced by a red curtain.